Aloha America: Hula Circuits through the U.S. Empire By Adria L. Imada

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Whose stories she wove with her own experiences to produce a comprehensive account of how the adaptive and resilient practice of hula works in conjunction with tourism Fascinating photographs of the dancers with careful commentary on poses and dress illuminate the mannerisms and views of the performers Publishers Weekly 0822352079 imagine if everyone i ever encountered through growing up in the u. Aloha america towel volcom S imperial ambitions in Hawai i Hula performers began touring throughout the continental United States and Europe in the late nineteenth century These hula circuits introduced hula.

Book Aloha american

An extensively researched history Archival digs brought Imada into contact with surviving dancers and their families and Hawaiians to U. Book Aloha american S audiences establishing an imagined intimacy a powerful fantasy that enabled Americans to possess their colony physically and symbolically Meanwhile in the early years of American imperialism in the Pacific touring hula performers incorporated veiled critiques of U. EBook Aloha america's At vaudeville theaters international expositions commercial nightclubs and military bases Hawaiian women acted as ambassadors of aloha enabling Americans to imagine Hawai i as feminine and benign and the relation between colonizer and colonized as mutually desired By the 1930s Hawaiian culture particularly its music and hula had enormous promotional value In the 1940s thousands of U. Alpha american apparel aubrey huff S soldiers and military personnel in Hawai i were entertained by hula performances many of which were filmed by military photographers Yet as Adria L Imada shows Hawaiians also used hula as a means of cultural survival and countercolonial political praxis In Aloha America Imada focuses on the years between the 1890s and the 1960s examining little known performances and films before turning to the present day reappropriation of hula by the Hawaiian self determination movement Adria L Imada is Associate Professor of Ethnic Studies at the University of California San Diego In Aloha America Adria L Imada shows how U. Book Aloha american S imperialism in the Pacific and to make Hawai i suitable for statehood by shifting Americans attention away from its large Asian immigrant population At the same time hula served as a countercolonial archive of collective Hawaiian memory preserving preconquest histories epistemologies and ontologies George Lipsitz author of How Racism Takes Place Attentive to global forces of U. Aloha America epubor S imperialism and to the agency of discrete cultural producers Adria L Imada conceives of Hawaiian hula as constitutive of colonial relations involving collaboration and resistance Moreover and significantly hula circuits outside of Hawai i she suggests sustained Hawaiian culture and hence nationhood even as they transformed it an astute and provocative contention Gary Y Okihiro author of Island World A History of Hawai i and the United States Aloha America Hula Circuits through the U, Alpha american 1887 I312 2012 0822352079 Aloha America reveals the role of hula in legitimating U, Alpha america shirt S elites used a blend of tropicalism and orientalism to facilitate U, Aloha America bookworm S domination over Hawai i By foregrounding the eroticized bodies of Hawaiian women hula dancers these elites created what Imada calls an imagined intimacy between the U. Aloha americat S public and the subjugated Hawaiians The sexualized images of Hawaiian women helped to occlude resistance to U.s military and dodea read this 0822352079 784.S expansionism into their productions.S Empire.